In today’s literary landscape, two writing styles dominate—minimalist and maximalist. What are they?
Minimalist writing is simple and direct with a tight focus on the literary subject. For the most part, it’s devoid of imagery such as similes, metaphors, and personification. Also, minimalist writing doesn’t use backstories. The idea behind such writing is to give readers just enough information to let their imaginations run wild. Minimalists look to write their prose as tightly as possible.
One of the most famous minimalist stories is Ernest Hemingway’s The Old Man and the Sea. I read it in the sixth grade. It was easy to follow because of the language’s simplicity. No metaphors, no similes, just sparsely written prose.
Maximalist writers use lots of fancy language that’s full of imagery, backstory, long descriptive passages, lengthy sections of dialogue, and long, complex sentences. They add detail after detail to enlarge their stories.
Interior designers use maximalism to tastefully decorate a home or room in excess. In literature, maximalist authors tastefully write prose in excess. For an example of maximalist prose, read William Faulkner’s book, Absalom, Absalom!
So, which style is right? Either one. It depends on which one an author’s most comfortable with.
How about you. Are you a minimalist or a maximalist?
5 thoughts on “Minimalist versus Maximalist Prose”
When I speak, I’m a maximalist. I often wish I had been born with an edit button. 🤭
Ha! I like that analogy of the edit button. Thanks for reading and sharing.
Hi Jack, Thanks for the post. You’ve answered questions I’ve had about this subject.
You are welcome, Pat. Glad you found it useful.
I think I’m somewhere between the two.