Easy Dialogue Ain’t Easy, Part 2: Revision, Step One, “Hey! Look at me!”

While you revise that boring dialogue you wrote last week, I’ll go hunting for mice. It better be more interesting this time. Now, where did that mouse go?

After such poorly written dialogue in the previous post, let’s revise it step by step. Today, we’ll look at taglines, those little words that identify the speaker.

Bad Example

“Where are you going?” Bill inquired.

            “To the grocery store,” Alice answered.

            “Why are you going again?’ Bill remarked.

            “I forgot to buy eggs.”

            “Will this be the last time you’ll go today?” Bill sat on the couch and flicked on the television with his remote control.

            “Yes,” Alice said with conviction in her voice.

            “Well, goodbye then.”

            Goodbye.” Alice walked out of the den.

Observations on Bad Example

When I read such dialogue, as shown above, the first mistakes I see are its taglines. Although we read them in books and even in bestsellers, these taglines are wrong. Why? They aren’t simple one-syllable taglines, and because of this, they draw attention to themselves. They cause readers to pause by saying, “Hey, look at me.” They jerk readers out of our story world.

A tagline serves one purpose: identify the speaker. Fancy, multisyllable taglines aren’t needed. We can even make taglines “disappear.”

How? By using simple ones. The best taglines are he said/she said, or in the case of a question he asked/she asked. When someone reads a story, they almost disappear because readers tend to gloss over them, and this is what we want.

Can you find another mistake in the example? Look at the third to last sentence: with conviction. Never use emotional with phrases or -ly adverbs to tell readers what a character feels. Instead, show the character’s emotion through what the character says.

The one exception to what I’ve said above concerns a character’s volume of speech. Since it’s impossible to show how loud a character speaks through dialogue, we have to tell it. We can use an exclamation point, of course, but it’s best if we don’t use this punctuation mark often. Instead, use simple taglines such as yell, whisper, said softly, etc.

Once we establish who’s saying what, don’t keep using taglines unless, of course, we have more than two characters in a scene. I’ll discuss this later.

Mouse got away from me. So go ahead. I’m listening. Your revision better be good.

Revision of Taglines

“Where are you going?” Bill asked.

            “To the grocery store,” Alice said.

            “Why are you going again?’

            “I forgot to buy eggs.”

            “Will this be the last time you’ll go today?” Bill sat on the couch and flicked on the television with his remote control.

            “Yes.” Alice grabbed her purse.

            “Well, goodbye then.”

            Goodbye.” Alice walked out of the den.

That sounded a little better. I think it still needs lots of work, though. Hey, did a mouse just run under your chair?

My feline friend is right. More work remains, so we’ll continue our revision tomorrow.





Easy Dialogue Ain’t Easy, Part 1: An Introduction to Basic Dialogue

Does an author’s dialogue look like it’s easy to write? It does? Good, because that means the author worked hard on it. In this series, I’ll share some basics of writing good dialogue.

Most professional writers are familiar with the expression “Show, Don’t Tell.” This comes from the great Russian writer, Anton Chekhov, who said: “Don’t tell me the moon is shining; show me the glint of light on broken glass.” 

One of the ways we “show, don’t tell” is through dialogue.

The Purpose of Dialogue

  • It should sound like real conversation.
  • It should reveal something about the character.
  • It should have conflict, either major or minor.
  • It should be interesting.

Poorly Written Dialogue

“Where are you going?” Bill inquired.

“To the grocery store,” Alice answered.

        “Why are you going again?’ Bill remarked.

       “I forgot to buy eggs.”

       “Will this be the last time you’ll go today?” Bill sat on the couch and flicked on the television with his remote control.

       “Yes,” Alice said with conviction in her voice.

       “Well, goodbye then.”

       “Goodbye.” Alice walked out of the den.

Hey, man. That was boring! Now where’s my milk?

In future posts, I’ll critique and revise my “ho-hum” example. For now, let’s look at some basic principles.

The Basics

  • Direct dialogue is when a character speaks. This goes inside double-quotation marks.
  • Punctuation that ends a character’s dialogue goes inside the closing quotation marks.
  • Each time a character, a new paragraph begins.
  • When the speaker is identified, such as “Bill inquired” or “Alice answered,” these identifiers are called taglines or speaker attributions.
  • When a character performs a physical action(s) in addition to dialogue, these action(s) are called beats.

I committed several dialogue mistakes in my example. Can you spot them? We’ll discuss them in more detail tomorrow.



Literary Success: Market Research

One thing guarantees that an agent or editor will reject a manuscript: the writer failed to research the market. Rather than finding out what the publisher needs, the writer just submitted his/her work with a hope and a prayer. Professional writers can’t afford to do this.

Fortunately, numerous resources are available to help us. Two of them are: Writer’s Market and The Christian Writer’s Market Guide. Also, such magazines as Writer’s Digest and The Writer.

I recommend subscribing to one of the magazines I mentioned. Not only do they offer great writing instruction, they also publish interviews with agents, editors and authors, provide contest information and deadlines, publicize conferences, and similar things.

Also purchase one of the aforementioned current market guides. They provide contact information, publisher website information, the types of things they publish, and how much they pay (if they do). Study the guide, find a publisher you’d like to write for, then visit its website. From the website, download its writer/author guidelines.

Print the guidelines and follow them perfectly. Some magazines will want a query letter first whereas others will want the entire manuscript. Each magazine has its own format for authors to follow.

Regarding magazines, purchase a copy or else ask the editor to send you a sample. Sometimes they’ll send you one for free while other times, an author may have to buy a copy. Once you get it, study it.

Tips for Studying a Magazine

  • Content. What kind of articles does it publish? Humor? Pet? Lifestyle? Or perhaps it publishes other kinds of articles. It’d be unwise to submit an article on “Four Ways to Catch Rainbow Trout” to a fashion magazine, for instance.
  • Read. Read the articles and short stories (if it publishes short stories).
  • How are the articles organized?
  • What kind of openings and endings do the articles use?
  • Do the articles have subheads?
  • Are the articles straightforward and simply written, or do they use long sentences and long, multisyllabic words?
  • Are its short stories literary fiction or commercial fiction?
  • What fiction genres does it publish?
  • Study. Study its advertisements. These reveal a lot about a magazine’s target audience. If most advertisements cater to women, then it will feature items of interest to them. The brands advertised tell us about the audience’s income level, tastes, etc. This helps us know what types of articles to write and submit.

Spend time doing market research. In the long-run, it’s worth the time, money, and effort.

Literary Success: Study

Professional writers not only write—they study the craft. No matter how long we’ve been at it, we writers know that good writing takes a long time to master, so the more we study and learn, the quicker we’ll master it. Yet, once we think we’ve mastered it, we’ll discover how little we know. And this is also a professional, and mature, attitude—a willingness to learn more.

Study Tips

  • Subscribe to and read writing magazines. I recommend either The Writer or Writer’s  Digest.
  • Read books on writing. Two classics I recommend are On Writing Well, by William Zinsser, and Elements of Style, by E.B. White. Writer’s Digest also publishes excellent writing books, so check them out also.
  • Attend writing conferences. At these events, you’ll take writing classes, meet other serious writers and successful authors, develop lifelong friendships, and can even have face-to-face time with agents and editors.
  • Join a good critique group. Two great groups for Christian writers are American Christian  Fiction Writers and Word Weavers International. I am a member of both groups.

Links to Christian writing groups:

ACFW | American Christian Fiction Writers

            word weavers international