Victorian Bathing Machines

The bathing machine is believed by many to have been invented in 1750 by a Quaker named Benjamin Beale. Before the Victorian era, men and women swam and bathed in the nude. This wasn’t a pastime for them, however. People in the 18th and 19th centuries bathed for their health.

A Brief Description

A bathing machine was a small wooden house, or shed, raised high on large wheels. It had entrances front and back—either doors or canvas curtains. Also, it had steps. During the nineteenth century, its popularity grew. These small structures were often seen on American, British, and Mexican beaches. As seen in the photo below, Queen Victoria had her own personal bathing machine.

Queen Victoria’s Bathing Machine. Photo Credit: By grumpylumixuser, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=54984764

Why They Were Invented

During the Victorian Era, mixed bathing was considered immoral. Men and women swimmers had separate beaches, or if not, they had separate sections of the same beach.

So, the bathing machine was primarily invented for women. Modesty was the rule of the era for females, and these machines gave them the privacy they needed to change out of their street clothes into their swimming costumes.

Victorian women, however, had to bathe in dresses, a cumbersome experience for them and a reason why so few of them could swim. Early swimwear consisted of ankle-length wool or flannel dresses. Like our fashions today, ladies’ swimwear changed over the decades.

“Mermaids at Brighton,” by William Heath, 1829

How Bathing Machines Worked

First, a lady would walk up high steps into the machine and through a door(or canvas cover). Inside, she’d likely find a bench to sit on and a special compartment for her clothes. She’d get out of her day dress, which she’d store in the compartment, then change into her swimming outfit. In the later 1800s, a swimming dress was typically shorter than her street dress. It also consisted of pantaloons, shoes, a swimming cap, and stockings.

After she changed, either a horse or a person would roll the machine into the sea. Then, she’d exit another door (or canvas cover) and enter the water. She’d splash around and bathe, perhaps jump a few waves while holding onto a rope attached to a buoy. When she wanted to return to shore, she’d raise a flag on the machine’s peaked roof to signal her intent. Then, either a horse or a person would draw her back onto the beach while she, inside the machine, changed back into her street clothes.

On their beaches, men sometimes used these machines as well.

In 1862, Britain passed a law that male and female bathers had to stay separate from each other by at least 60 feet. If a lady didn’t have a bathing outfit, she would be provided with one, and drawers would be loaned to men who wanted to bathe.

“Bathing Machine Gals, 1902”

 

Ladies Who Couldn’t Swim

For ladies who couldn’t swim in this era, they could still enjoy a refreshing dip with the help of a dipper, a strong woman who’d escort them out of the machine, into the water and dunk them.

In my current work-in-progress, I feature a bathing machine in one of my scenes. The girl you will see in this short video shows us a swimming costume that was popular in the 1870s, my current WIP’s era.

“Bringing History to Life, 1872 bathing suit’, by Ninonella

Sources

Lucy Davidson. “What was a Victorian Bathing Machine?” HistoryHit, March 2, 2022,  What Was a Victorian Bathing Machine? | History Hit

Liz T. “The Evolution of Women’s Swimwear from the 1700s to Today,” Glitz. Glam, and Rebellion. June 8, 2020, The Evolution of Women’s Swimwear from the 1700s to Today – Glitz Glam and Rebellion

—- “How did a Victorian Bathing Machine Work?” Shutterbulky. Credited to Vintage Everyday, How did a Victorian bathing machines work? Amazing facts with 25 photos – ShutterBulky

Vic, “Benjamin Beale’s Invention for the Bathing Machine,” Jane Austin’s World, August 10, 2009, https://janeaustensworld.com/2009/08/10/benjamin-beale-bathing-machines/

The Hittites

Photo by Bilge u015eeyma Ku00fctu00fckou011flu on Pexels.com

In Genesis 15:20, when God first mentions the Hittites in His covenant with Abraham, they numbered among the ten tribes that occupied Canaan. Before the turn of the twentieth century, though, skeptical scholars pointed to this passage and other Hittite references to prove the Bible’s inaccuracy. After all, they had no proof that these tribes ever existed. Therefore, they reasoned, the Bible must not be true.

Just because something isn’t proven yet doesn’t mean it won’t be in the future. The Hittites’ story illustrates this.

1871

In this year, the first evidence of their existence was uncovered at Carchemish, in Syria, on the Euphrates River.

1887

An Egyptian peasant woman, while digging for mud which she used as fertilizer, stumbled upon some clay tablets bearing cuneiform writing. They became the famous Armana letters, ancient letters written by monarchs and princes, some of them Hittite. In the picture above, we see an example of cuneiform writing.

1906-1911 & 1911-1912

Professor Hugo Winckler discovered some ten thousand clay tablets in Turkey that held cuneiform writing in several ancient languages. They provided a wealth of knowledge about these people. As it turned out, the professor had discovered a Hittite capital city, present-day Boghazkoy, Turkey, and its archives.

Before they became an empire, the Hittites scattered from Turkey and throughout Palestine. Joshua defeated the Palestinian Hittites during his conquest of Canaan (Joshua 9:1; 11:3).

The empire began around 1460 B.C. from Turkey all the way to Syria as far as the Euphrates River. Around 1200 B.C., it came to an end. As a major military power, they once overran Babylon and waged war against Egypt. Around 1286 B.C. troops under Pharaoh Ramses II clashed with Hittite soldiers at Kadesh, Syria. The battle was indecisive. Eventually, the two empires made peace when Ramses married the Hittite king’s daughter.

Sources

Gardner, Joseph L., ed. Reader’s Digest Atlas of the Bible: An Illustrated Guide to the Holy Land. Pleasantville, New York: Reader’s Digest Association, 1981.

Payne, J. Barton. “Hittites.” In The Zondervan Pictorial Bible Dictionary, ed. Merrill C. Tenney. Grand Rapids: Zondervan Publishing House, 1963.

Starr, Chester A. A History of the Ancient World. 4th edition. New York: Oxford University Press, 1991.

Unger, Merrill F. Archaeology and the Old Testament: A Companion Volume to Archaeology and the New Testament. Grand Rapids: Zondervan Publishing House, 1954.

Types of Conflict in a Story

A story without conflict is boring. A story without conflict is not a story. To keep readers engaged the writer must use conflict in every scene. Also, the conflict must be well-written, which means it must be visual and engaging. In other words, readers must see the conflict, not told it.

What is conflict? It’s a contest between two opposing forces, each force having an objective or goal. It’s not always the “good guy versus the bad guy,” though of course, it can be and often is. Let’s look at the different types of conflict found in literature. Perhaps they’ll spark some ideas.

Man versus Self

This is internal conflict. A character is struggling with issues within himself/herself. It’s a novel centered around introspection, moral choices, self-doubts, and coming to terms with oneself.  An excellent example of this is William Shakespeare’s “Hamlet.” In the play, Hamlet struggles with a moral decision – whether he should avenge his father’s murder. His indecision leads to his tragic end.

Man versus Technology

Mary Shelley’s novel, Frankenstein, illustrates this. Doctor Viktor Frankenstein creates a monster who eventually turns on him.

Man versus Nature

Jack London’s famous short story, “To Build a Fire,” is an excellent example. A man and his dog get caught in extremely cold weather in the Yukon. The man struggles to survive.

Man versus Man

This is the most often used conflict. Two characters oppose each other, and each one has a different goal. Think of it as protagonist (hero) versus antagonist (villain). They struggle against each other in various ways. Their struggles don’t always have to be physical. They can also struggle politically, morally, or even competitively.

Man versus Society

Photo by Ashley Williams on Pexels.com

 This story’s conflict centers on “man versus the world”, “man versus culture”, “man versus government”, and similar things. Characters grow and change, and these tales also carry some heavy themes. A good example of this is George Orwell’s classic work, 1984. In it, the main character, Winston Smith, opposes Big Brother and his tyrannical regime.

Literary Missionaries