If you’ve ever read the novels True Grit or The Wizard of Oz, or seen the movies based on them, you’re familiar with the hero’s journey plot structure. It’s sometimes referred to as monomyth and was described in Joseph Campbell’s book, The Hero with a Thousand Faces (1949). He studied stories and myths from throughout the world and from this, he discovered three common elements which he set forth in his book.
In The Writer’s Journey, Hollywood consultant Christopher Vogler wrote an updated version of this structure. Hollywood uses it a lot. We’ll follow Mister Vogler’s version in this post.
Stage One: The Ordinary World
The hero lives an ordinary life in an ordinary world.
Stage Two: The Call to Adventure
The hero’s life gets disrupted when he/she is called to solve a problem, face a challenge, or go on an adventure. The stakes are high and the consequences serious if the hero doesn’t accept the call. Mattie Ross’s life is disrupted in True Grit when Tom Chaney kills her father. If she doesn’t get justice for him and find someone to help her get revenge, Chaney may kill again.
Stage Three: Refusal of the Call
For reasons the hero believes are valid, he/she either hesitates or refuses the call. In Rocky, when Apollo Creed challenges him to a championship bout, Rocky Balboa makes excuses and refuses. Later, however, he changes his mind and agrees to fight.
Stage Four: The Mentor
The hero meets a mentor, who is a teacher or guide. Deputy Marshal Rooster Cogburn becomes the mentor for young Mattie.
Stage Five: Crossing the Threshold
The hero sets out on an adventure. To Rooster’s and Texas Ranger LaBoeuf’s dismay, Mattie follows them when they try to leave Fort Smith without her to pursue her Chaney. Eventually, though grudgingly, they accept her. So, Mattie crosses the threshold and sets out on her adventure. She cannot return home until she brings Tom Chaney to justice.
Stage Six: Tests, Allies, and Enemies
The hero enters a new kind of world, encounters numerous conflicts and tests. These encounters help the hero grow and change. The hero meets villains and finds new friends. Mattie’s new friends become Rooster and Texas Ranger LaBoeuf. She also meets the outlaw gang which Chaney has joined.
Stage Seven: Approach to Inmost Cave
This is the story’s second threshold, and it’s a dangerous place. The approach is when the hero makes plans on how to deal with it. Mattie gets captured by Chaney; Rooster and LaBoeuf must help her escape.
Stage Eight: The Ordeal
Here, the suspense and tension are heightened. After Mattie kills Tom Chaney, her gun’s recoil kicks her into a pit full of rattlesnakes. Her arm is broken and a rattler bites her in the hand. Will she get rescued before she dies?
Stage Nine: Reward
LaBoeuf and Rooster rescue her. Her rescue is her reward.
Stage Ten: The Road Back
The hero still has to get back to a normal life. Mattie, having been bitten by the snake, isn’t out of the woods yet. She needs medical attention, so Rooster carries her on his horse at a fast gallop back to Fort Smith.
Stage Eleven: Resurrection
In this stage, the hero faces a final challenge. If you read the book (I don’t recall this doctor’s scene in the movies), you’ll learn about Mattie’s final fight for her life. She’s in a stupor. The doctor at Fort Smith gives her morphine and amputates her arm. We see her amputated arm in the remake, as shown in the scene below. In John Wayne’s version, Mattie’s arm isn’t amputated. In this regard, the remake is truer to the book, though both versions stayed pretty true to the novel– a reason why I love both films!
Stage Twelve: Return With the Elixir
The hero returns to an ordinary life. Mattie survives her snakebite, never marries, but resumes a normal life.
Mister Vogler advises authors not to follow this structure “too precisely.” Vary the order of the stages and work in the story’s details. This story should also be written so seamlessly that readers don’t notice that this structure is being followed.
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers, 2nd Edition, Studio City, CA., Michael Wiese Productions, First Printing October 1998.
4 thoughts on “Plot A Novel Like a Hero”
After someone told me my fiction about Elijah is this style, I looked. Could be so.
On Wed, Aug 25, 2021, 9:31 AM The Author’s Cove: John Jack Cunningham
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I was thinking the same thing about your story when I was writing this blog.
I don’t think of my story in these terms until I get to the middle. Then my characters tell me how to get them to the end. Sometimes they’re right. Sometimes they need a good talking to!! HA!
Thanks for this, Jack! 🙂
My characters tell me what to do also. Sometimes they want to do too much.