Writing a Back Flash

Back flashes don't affect a story's forward movement. They keep readers in the present while revealing something about a character and a past event that's affected him/her

Back flashes don’t affect a story’s forward movement. They keep readers in the present while revealing something about a character and a past event that’s affected him or her.

A back flash provides information about a character’s past either through dialogue or the character’s thoughts. It’s the best option for writers when they want to reveal something about a character’s past. Be careful not to write long back flashes, however. Instead, include snippets of information about a character’s past as the story progresses.

Back Flash in Thoughts

When Walter saw the accident on the road up ahead, a pain stabbed his heart. As he lifted his foot off the gas pedal, he pointed at it. His friend and passenger, James, stared at the scene’s police cars and ambulance.

            “Amelia,” Walter muttered.

            “Amelia?” James said. “Oh, yes. I remember.”

            Walter passed the accident in silence. It happened two years ago. Amelia Easterling and he were engaged, and then that horrible accident happened at the movie theater. He’d hit a large van backing out of its parking space. The crash killed her instantly. Oh, how he missed her!

            He pulled into a grocery store’s parking lot. He had to get his mind on other things. “Let’s get our soda and chips fast.”

            James slammed the car door behind him. “Right, Walter. I’m hungry.”

Back Flash in Dialogue

Walter nudged his friend James when they entered the grocery store. “Hey, look over yonder. That pretty lady examining the oranges.”

            James halted near the cash registers. “Yeah. She looks sorta like Amelia. I’m glad you’ve recovered from that accident you had. It wasn’t your fault.”

            “We were arguing at the time, James,” Walter said. “I was driving, so it was my fault. I should’ve been paying better attention to the traffic. She’d still be alive if I’d been doing that.”

            James smiled at the lady as she headed for the vegetables. “Let’s go introduce ourselves.”

            Walter shrugged. “Why not?”

USE FLASHBACKS CAREFFULLY, BUT HEY, DON’T FORGET THE BACK FLASH!

Writing a Flashback

Some authors don’t use flashbacks in their stories while others do. Although flashbacks present certain problems, if written wisely and at the right points in your story, they can be useful.

Definition of a Flashback

A flashback is a scene written in the present that looks back on a past event.

Why Use a Flashback

Flashbacks deepen our characters, explaining their behaviors and motivations. This is one of many good reasons for writing a biography for the main characters.

Two Problems with Flashbacks

  • If used in an opening chapter, it tells a story before the novel’s real story begins. This causes the book to start slow.
  • Flashbacks used in the middle of a book interrupt the story and slows down its pace.

Rules for Flashbacks

The flashback must be relevant to a story and not just “thrown in.”

Flashbacks should be written in the present, like a scene happening now.

General rule: Don’t write a flashback until the story’s first 50 pages. However, like all rules, this one can be broken if the writer has a good reason for doing it. See the next rule.

Only use flashbacks when you have a good reason. Does the flashback contribute to understanding a character and that character’s motivation? Will it add something to the plot? If not, don’t use it.

Don’t write an information dump. Write is as a scene: dialogue, action, and conflict.

Get in and out of the flashback seamlessly. Write it in such a way that readers don’t notice a transition from past to present.

Sir Walter Scott, creator of the historical fiction genre

Example of a Flashback

Walter slowed his car when he spotted the accident on the road ahead. A Ford Mustang was on fire. Two police cars, an ambulance … a fire truck squealed past him, siren blaring. Its siren sent shudders through him, like he shuddered on that fateful day years ago when he was driving his girlfriend, Amelia, to a movie.

“I don’t want to see Rocky,” she said.  

“Well, I do,” Walter said.

“You don’t love me.” Amelia huffed and glared straight ahead. “You’re not taking me to see Freaky Friday.”

“Dumb movie. Waste of money.”

“Humph. How would you know?” She stuck a piece of chewing gum in her mouth. She often chewed gum when she was mad.

Walter accelerated into the theater’s parking lot as their arguing reached a fever pitch. “All right. We’ll go to that stupid flick.” Irritated, he accelerated and smashed into a large van backing out of a parking space. Crunched his car on Amelia’s side. His engine exploded. He managed to climb out and struggled to help her while a witness called 9-1-1.

As police cars squealed onto the scene, their sirens blaring, Amelia died while flames swallowed his car.

Up ahead, the fire truck silenced its siren as it stopped at the accident. Walter drove past, uttering a prayer for those who were injured while he wept for Amelia.

Three Tips for Smooth Flashbacks

Sensory Detail: Use a sensory detail to get in and out of flashbacks. In my example, I used the detail, hearing.  The fire truck’s siren prompted Walter’s tragic memory. Then, to get out of his flashback, I again referred to the fire truck’s siren in the last sentence ashe drives past the accident.

Transitional Words: These also help writers get in and out of a flashback. For example, words such as recall, remember, etc. For example: When Walter heard the fire truck’s siren., he remembered that fateful day when … Then move into the flashback scene.

Had: James Scott Bell, in his book Plot & Structure, recommends using had no more than two times to get into a flashback scene, but do not use this word in the scene itself.

Example of Using Had

Walter slowed his car when he spotted the accident on the road ahead. A Ford Mustang was on fire. Two police cars, an ambulance…a fire truck squealed past him, siren blaring. Its siren sent shudders through him, like it had on that fateful day years ago when he and his girlfriend, Amelia, were on their way to a movie….

Next week, the back flash.

Sources

Bell, James Scott. Write Great Fiction: Plot & Structure, Cincinnati, OH: Writer’s Digest Books, 2004.

How to Write a Flashback Scene: 7 Key Steps | Now Novel

How to Write a Flashback | Advanced Fiction Writing

What My Cat Taught Me

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And there we saw the giants, the sons of Anak, which come of the giants: and we were in our own sight as grasshoppers, and so we were in their sight (Numbers 13:33, KJV).

Behind my childhood home runs an alley. From this alley, stray cats often wandered onto our property where my mother always fed them. Alley cats they were, in the strictest sense, so it’s no wonder that I adopted a stray who wandered onto my lawn in Kenner, Louisiana.

A beautiful gray kitty with a gentle temperament, she was the perfect pet. I named her Koshka, Russian for a female cat, I’d learned in my college’s Russian class. One day, though, a neighbor looked down at her and said to me, “Your cat looks pregnant.”

Pregnant! The word gripped my throat. That was the last thing I needed. I could afford Koshka, but care for a litter of kittens? Oh, no! For several days, I studied Koshka’s swollen belly. Mews and meows of imaginary kittens wreaked havoc on my brain’s “movie screen.” What would happen after she gave birth? Happen? To her? To her kittens? What about me? My bank account? My money?

Every day, visions of dwindling finances dominated my concerns. Anxieties intensified. I wanted to scream: “Koshka, girl, why are you doing this to me?”

Finally, I took her to the veterinarian to verify her pregnancy.

After his examination, he announced the verdict. “She’s not pregnant. She’s been spayed. She’s just fat.”

Whew! All my nervous tension broke at his announcement. Peace swept over and through me like a gurgling stream.

But isn’t this what the enemy does to us if we let him? After Moses’ twelves spies returned from scouting out Canaan, panic seized ten of them. They couldn’t take the land. Giants were there, “and we were in our own sight as grasshoppers, and so we were in their sight.” First Satan planted doubt in their minds, then faithlessness supplanted faith, and finally, an overactive imagination produced an overwhelming terror. Because they believed what they saw and listened to the enemy’s lie, they missed God’s blessing.

Not so, two other spies, Caleb and Joshua. God told them He’d given them the land, and they believed it. They listened to His word. When the day finally arrived, they marched into the Promised Land, the last survivors of Moses’ generation.

Because I listened to the authority regarding Koshka, I gained peace of mind. Likewise, when we listen to and heed God’s authority, His Word, the Lord will lead us to victory through every battle just as He did Caleb and Joshua.

PRAYER: Dear Lord, I believe Your Word, Your holy Scriptures, the only authority for how I live my life. Thank You for it, and for the peace You give me when I listen to and obey You. May I continue heeding Your guidance. Help me to ignore the enemy’s lies. In Jesus’ name. Amen.

Brief Reflection
When we listen to Satan’s negative thoughts, we allow him to steal our faith. Do we believe God’s promises and walk in faith like Caleb and Joshua?

Passages for Study
John 8:33-47
John 6:34-4

This excerpt is taken from Reflections of a Southern Boy: Devotions from the Deep South. Published by Ashland Park Books, it is available at amazon.com in both paperback and Kindle. To purchase a copy, visit the Bookstore page on this site.
All Rights Reserved.
Copyright 2018 by John “Jack” M. Cunningham, Jr. 

Dr. Johnson’s Advice

Dr. Samuel Johnson was a famous poet, literary critic, and editor. He compiled and organized A Dictionary of the English Language, which was used for 150 years before the Oxford English Dictionarys publication

In Joshua Reynolds’ portrait, the painter shows Dr. Johnson holding a manuscript close to his eyes. Why? Because the great writer was nearsighted, and Reynolds wanted to show this.

Dr. Johnson’s advice: “The greatest part of a writer’s life is spent in reading, in order to write; a man will turn over half a library to make one book.” Samuel Johnson (1709-1784)

Diction and Style

Every writer has his/her own style, and good editors know how to enhance that style. After all, that’s one of an editor’s main jobs.

What is style? It’s how a writer expresses himself/herself on the page. One factor contributing to style is diction—word choice.

The words a writer chooses contribute not only to his/her literary style but also its tone. Some writers use a straightforward, unadorned style using everyday words while others use flowery language, big words, and lots of imagery. To determine whether these styles are appropriate, consider two things: audience and purpose.

Audience

When writing for the general reader, avoid multi-syllable Latinate words – English words that originated from Latin. Use common English words instead. If writing for a scientific or scholarly publication, use Latinate words because readers of those publications expect it.

Purpose

Why are we writing our article, story, or book? Do we want to convey joy, anger, concern? Or something else. Choose words that convey our purpose and meaning. Let’s look at the first paragraph of an article I wrote for “HiCall,” an Assemblies of God publication.

Inheriting the Promises of God

The moon beamed her pale silver light over us as we slowly waded in shallow gulf waters. An occasional seagull flew overhead, laughing at our plight. Sometimes we felt the gentle bumps of needlefish as they followed my father’s floundering light. Crabs scurried along the sandy bottom as we approached them. We began to tire, and it seemed we had walked for hours….

Analysis

My Audience: Teenaged boys, so I chose a subject that would appeal to them—floundering with my father.

My Tone: A sense of pleasantness and relaxation while on a vacation. I hope you felt it.

Diction: Happy and pleasant details/words—the moon beaming, seagulls laughing, gentle bumps.

Inheriting the Promises of God

Frustrated Tone

The moon sneaked behind forbidding clouds as we waded aimlessly in shallow gulf waters. A seagull’s cackle mocked us. Needlefish rammed our legs—stupid fish! Crabs fled every direction along the sandy bottom. After all the pitiful hours my father and I trudged, we were exhausted. Where were the flounders?

Analysis

In this revision, I used negative words such as sneaked, forbidding, aimlessly, mocked, rammed. stupid, pitiful, trudged and exhausted. I also ended with a question, which highlighted my frustration. I hope you see the difference..

Photo Credit: NOAA Ocean Exploration and Research

Choose your words carefully when you write. Oh, by the way, my father and I ended up with lots of flounders before the night was over.



Quick Tip: Implication

One effective way to describe something is through implication. The famous Russian author, Anton Chekhov, once said: “Don’t tell me the moon is shining; show me the glint of light on the broken glass.” When he said this, he was speaking about using implication. If we see the light on the broken glass at night, this implies that the moon is shining.

Four Benefits of Journaling

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Ever since I started writing seriously in the mid-1980s, I’ve kept journals. I didn’t use those fancy leather-bound journals available at some stores, though they are fine to use. My earliest journals were on inexpensive spiral notebooks. As a writer, I’ve found journaling an invaluable tool for my craft.

How often should one write in them? Some will recommend people write in them every day. Although I’m not opposed to this, I don’t write in my journal every day. I do, however, try to write in it as often as I can.

Journaling has lots of benefits for writers and non-writers. I share four of these benefits here.

Four Benefits

  1. Journaling is therapeutic. When we’re going through a difficult time or a personal crisis, journaling helps us express our emotions. By writing, we can vent our feelings and find release from stress. Psychologist James Pennebaker says journaling reduces “the impact of stressors on our immune system.”
  2. Journaling helps our creativity and also helps to overcome writer’s block. Through journaling, we can practice new styles of writing and experiment without the pressure of deadlines. Sometimes, ideas will pop into our heads for stories or articles. Keep a running list of these ideas in a journal.
  3. Journaling improves our writing. Through journaling we learn to express ourselves better, and this includes clearer conversations with other people too.
  4. When we journal on a regular basis, we develop self-discipline. Self-discipline — writing everyday regardless of how we feel — is one of the keys to succeeding as a writer.

If you haven’t been journaling, why not start today? All you need is a pen and notebook. It’s never too late.

Sources

Lidia Kesarovska,  “The 17 Benefits of Journaling That Will Motivate You to Start Writing Tomorrow,” Let’s Reach Success (blog)January 9, 2020, https://letsreachsuccess.com/benefits-of-journaling/

“Benefits of Journaling: The Science and Philosophy Behind Keeping a Diary,” Intelligent Change (blog), https://www.intelligentchange.com/blogs/read/benefits-of-journaling, n.d.

Thai Nguyen, “Ten Surprising Benefits You’ll Get From Keeping a Journal,” HuffPost, February 13, 2015 https://www.huffpost.com/entry/benefits-of-journaling-_b_6648884

“How to Write Better: 5 Benefits of Journaling,” MasterClass, August 30, 2021, https//www.masterclass.com/articles/benefits-of-journaling

Ethical Writing: Quoting the Bible

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Is it possible for Christian writers to get in legal trouble when they quote the Bible? Yes. This is especially true for indie authors. To quote any modern translation requires written permission from that translation’s publisher. If we quote it without permission, not only is it unethical, it also breaks copyright law.

Copyright law does have a Fair Use clause which says a writer may quote a certain amount of copyrighted material without permission. However, it doesn’t specify how much an author may quote. It’s always wise, in my opinion, to ask for it first. As an indie author, I use the Authorized King James Version because it’s in the public domain in the United States. In the United Kingdom, a writer still needs permission. It’s copyrighted there.

For United Kingdom authors., here’s an important link: Rights and Permissions | Cambridge University Press

Typically, traditional publishers have a contractual agreement with certain Bible publishers. In their guidelines for writers, they specify which translations they use. Thus, writers for these publishers needn’t worry about getting permission.

Of course, indie authors can use modern translations if they get permission first. The best way to do this is to visit a Bible publisher’s website and click on its “Terms of Use” or similar link, usually at the bottom of the Home page. Then read what it says regarding its copyright status and how to obtain permission. Sometimes, it’ll lead us to another page where we can fill out a request form to submit.

Steps to Follow, B & H Publishers

  1. Visit Home – B&H Publishing (bhpublishinggroup.com).
  2. Scroll down to the bottom of the Home Page.
  3. Under “About Us,” click on “Privacy Policy and Terms.”
  4. Under the “Permissions” section, click here.
  5. On the Permissions Page, click on Licensing and Permissions Request form
  6. Fill out form and submit

This is how to request permission from the B & H Publishing Group. Other Bible publishers use a similar procedure.

Short Story: The Last Gamble

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Blaine steered his battered blue pickup down the two-lane street, his vehicle bumping over its potholes. He glanced in his sideview mirror. Did anyone see him and Ricky over in the Castle Bridge neighborhood breaking into that rich dude’s mansion? Did anyone jot down his pickup’s license plate number and call the cops? If so, the cops could probably trace his address from it.  Maybe he and Ricky should’ve swiped some patsy’s truck first, one with a license plate from a neighboring state—Mississippi, Florida, Georgia, or Tennessee. Then use it instead.

He approached the next block. On its corner, two sago palms framed his neighborhood’s large wooden sign, “Friendly Pines,” its words etched in bold black letters. Yeah. Friendly me. Smirking, Blaine brushed his big knuckles along his thick mustache. His foot eased off the gas pedal. His vehicle slowed toward his single-story red brick house, a rental, on the next block. A squirrel scampered clear of his wheels.

Two weeks ago, his boss fired him from his locksmith job while his gambling debts piled higher than bricks in a brickyard. His landlord threatened to toss him out on the street if he didn’t pay his overdue rent by the end of next week.  Other creditors besieged him. As for Ricky, whom he’d befriended at the blackjack table in the local casino, he already possessed a criminal record and was a frequent occupant of Alabama’s jails. What they did here in was just another “job” for him.

Blaine turned onto his ankle-high Bermuda grass and parked behind a long wooden shed that abutted his house and carport. Didn’t need nosey neighbors spying on him and Ricky. “Let’s hurry.” Blaine scrambled out of his vehicle into the crisp fall air.

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“I’ll be a-movin’, Blaine.” Ricky spoke this from the passenger’s side. He shoved open his door, got down, and strode to the rear of the truck. He dropped its tailgate then sprang onto its bed. Wiry of build, he moved quickly, as agile as a cat.

Before Blaine joined him, he frowned at his littered, sorry excuse of a street. Three cars motored along it at tortoise speed. If only he didn’t love gambling, the lights and action inside the casino, the clatter of dice, the dinging of slot machines, the quiet shuffling of cards, the thrill all games of chance fed him…if only he didn’t love gambling, he wouldn’t be in this predicament nor would he be living here. Nicer neighborhood, nicer home, a wife and a dog and maybe a cat. All the locksmiths he knew lived better than him. Though they didn’t wallow in dough like the rich snob he’d burgled, they at least enjoyed comfortable middle-class lifestyles.

“Any of them coppers comin’?” Ricky hefted a square safe onto a red dolly. Sweat puddled his black muscle shirt.

“I haven’t seen any yet,” Blaine said. “You did a good job disarming that rich dude’s alarm.”

“I got lotsa talent doin’ that sorta thin’.” Ricky flashed a gap-toothed grin and wheeled the safe along the truck bed, up to him. “Gimme some hep with this, will ya’?”

His muscular arms folded around it, Blaine grunted and groaned and hefted the safe off the dolly. A sudden breeze swatted his cheeks. He bent his knees, lowering it onto the ground. “Whew! Wheel it to my back door.”

“I’m a-doin’ it.”

While Blaine followed Ricky to his back porch, he glimpsed a muddy pickup creeping past his house. Its front bumper held a winch. It also had a broken taillight and, judging from its Alabama license plate, it was from around here. Blaine stopped and studied it closer. Kind of familiar-looking. Deer season was several weeks away. Probably a deer hunter on his way to pick up a friend or something. The truck turned a corner.

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Blaine brushed aside a spider web hanging off his shed’s roof before he joined Ricky at his back door. He fumbled the keys out of his pocket and unlocked it. After wheeling the safe down a short hall, Ricky turned into the curtained bedroom. Blaine followed.

Dust balls danced in the room’s grayness. Blaine snorted and cursed his nose’s stuffiness. In his matchbox kitchen, a refrigerator hummed. Its ice maker kicked ice into the ice tray. He switched on his light and rubbed his palms together. “Ah! Now we’ll see what Mister High and Mighty has in this iron box.”

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“Betcha it’s diamonds or pearls.”

“Are you kidding? I’m counting on cash. Thousands of hundreds. Pay off all my debts.  Yeah!” Blaine plopped down on his beer-stained carpet and put his ear to the dial. He turned it one number at a time. “Okay, box. I’ll figure out your combination if it takes me till the earth stops spinning. Ricky, go check the street.”

Ricky went to the window and peeked between the taupe drapes

“See anything suspicious?”

“Ain’t nary a body in sight. You know if we go get ourselves collared and cuffed, they’ll be throwin’ the book at us.”

“That’s not a new experience for you. Now keep quiet. I’ve got to work on this lock.”

“I’m a-keepin’ quiet.”

“Shh!”

Some fifteen minutes later Blaine stood, folded his arms, and sighed. The safe seemed to mock him, its black combination lock and white numbers almost laughing out the words: “You lose, locksmith! Try again!”

Ham fists behind his back, he paced back and forth. A light bulb overhead clicked out. His room dimmed. Only one bulb worked now. He stopped, whirled back toward the box, and growled. There had to be a way to break into that thing. Live out of his truck for the rest of his years? Panhandle forever? No. Never. “Go get me a beer out of the fridge, Ricky.”

“Can’t get inside it?”

“No, I can’t!” The angry words launched off his tongue. Then he cleared his throat. “Uh, maybe a cold beer will help me think.”

“Can I get me one, too?”

Blaine smiled. A drill. Yes. That’s it! He’d get his drill out of his shed and drill a hole in it.

“Hey. Lookee here.” Ricky, still peering through the parted drapes, gestured Blaine forward.

When Blaine looked out the window, his eyes narrowed. That muddy pickup with the broken taillight…It pulled over and parked across the street. The driver, a hulking square-shouldered man dressed in hunting camouflage and boots, got out of the vehicle. Then he reached inside his truck’s cab and grabbed a shotgun. A twelve gauge? Double-barreled?

Blaine jerked away from the window. Though he was muscular and tall, five feet eleven inches, the hunter towered over him like a Goliath.  “He’s coming at us.”

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“Go fetch your pistol.” Ricky also withdrew from the drapes.

“It’s in your truck,” Blaine said.

 “So we’re—”

“Yeah.” Blaine’s fist smacked his palm. “We don’t stand got a chance against that guy’s gun. Let’s get out of this place.

 “We ain’t gonna make it. Truck’s low on gas you said on the way here.

 “Yeah.” Blaine clutched his head. “I forgot.”

The man pounded Blaine’s paneled front door.

Clearing his throat and forcing steadiness into his knees, suddenly turned to jelly, Blaine led his friend to it. “Who’s there?”

 “Open up,” the baritone voice boomed.

“Why?”

“Because if you don’t, I’ll blast a load of buckshot through your door and your body.”

Blaine winced when the man cocked his gun. He reached for the doorknob, then hesitated. “What’d you want, Mister?”

“You’ve got something belonging to me. Open up.”

“You’re on my property. Get off it.”

A chortle outside. “All right. I know a good taxidermist who’ll do a nice job with your heads.”

Blaine cracked open the door, just a sliver, thanks to its chain lock. He studied the double-barreled shotgun. His tongue tasted like sandpaper.

“If you don’t let me inside, I’ll shoot both of you where you stand.”

Stomach in his throat, Blaine stammered. “I’ve got a chain lock on this door. I’ll have to close it first to unlock it.”

“No tricks.”

“No.” Blaine shut the door, glanced at owl-eyed Ricky, steadied his hand. Out of its casing came the chain.  He opened the door.

His shotgun aimed at them, the man ducked beneath the doorway and swaggered into the house. He continued speaking, his tone as icy as deer season’s winter. “You broke into my house a half hour ago, disarmed my alarm.”

“How’d you know?” Blaine eyed the man’s thick forefinger, slipping around one of his gun’s two triggers.

“I didn’t hear it go off when I saw you two back out of my driveway onto my street. So naturally, I assumed one of you did it.”

“You’re the rich dude?”

Thin lips tight, the man nodded. “Coming back home from my hunting camp when I saw you hefting my safe onto your truck.” He shrugged. “I decided I’d follow you to see where you’d take it.”

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Blaine raised his palms defensively. “L-Look, Mister, all we stole was your safe.”

“And we ain’t even figgered out the combination yet,” Ricky said.

“You can have it back,” Blaine said. “H-Honest.”

The man pointed his gun at their chests. “Lead me to it. I’ll help you open it.”

Blaine and Ricky swapped worried glances.

“Do it,” the man said, “else I’m liable to blow your brains out, process you two like a couple of eight-point bucks, and eat your hearts for supper.” He licked his lips, reminding Blaine of a cannibal about to roast them on a spit. “Then I’ll take your heads to my taxidermist so I can mount y’all on my wall.”

Blaine and Ricky fled to the bedroom where sat the safe, the man at their heels. He positioned himself behind them and called out the combination.

Blaine’s hand fumbled and stumbled through the lock’s numbers. “Two left, ten right, four—”

The gun’s cold muzzle pressured his neck. “Those are the wrong numbers. Let me repeat them again…slowly.” The man did.

And again Blaine, his brain scrambling through a haze, fumbled and stumbled on each number without success.

“What’s the matter?” the man said, snarling. “You never watched Sesame Street before?”

“You ain’t got no right insultin’ him!” Ricky snapped.

“It’s my box,” the man said. “I’ll insult whomever I like.”

Again Ricky felt his cold muzzle, this time against his spine.

“Now then,” the man said. “Let’s try it once more.”

On the third attempt, his mind calmed a little, Blaine got the combination right.

“Now open it,” the man said.

Blaine did so. “What the…?” A book, a fat black book, inside the safe. He lowered his head to peek deeper inside it. A book, only a…. “Where’s the–?”

“Money?” The man chortled. “Get that book out.”

While Ricky looked past the man’s arm, Blaine obeyed.

“My great-uncle’s diary from World War One,” the man said. “He won the Medal of Honor fighting in the Argonne Forest. I can’t afford to lose his memories.”

Mouths agape, Blaine and Ricky stared at him.

A siren blared till its car squealed to a stop outside.

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“You two are under arrest,” the man said.

Blaine scrambled to his feet. “You can’t arrest us.”

“That so?” The man’s bushy brown brows arched high. “I’m not only a real estate developer. I’m also a reserve police officer. My backup, the arresting officer, has arrived.” He marched them to the opened front door.

“Your house is fine, Reid,” the police officer said. “Your neighbor met me out front and said you called him on your cell.”

Reid shoved Blaine and Ricky toward the uniformed cop.

After the uniform read them their rights, he handcuffed them.

Reid laughed. “Oh, you two. One more thing. My shotgun wasn’t loaded.” 

Blaine’s face burned. He kicked a beer can off his front porch. “A book. All you had in it was a stupid book and dumb memories!”

THE END