Traits of a Good Beta Reader

Over thirty years ago, when I first started my writing career, my literary passion drove me to learn everything I could about the craft as fast as possible. One of the many ways I learned was through beta readers. Even though I now have numerous bylines to my credit, and several books I’ve either written or contributed to, I still use them.  All writers do, including those who write bestsellers.

What is A Beta Reader?

A beta reader is someone who reads our manuscripts with an objective, yet critical eye. This person looks for such things as holes in our story’s plot, awkward phrasing, narrative inconsistencies, storylines that aren’t believable, poor characterization and dialogue, and similar things. 

Beta readers are critical to our writing careers.  We get so caught up in our writing that we can’t see our words objectively, whereas a good beta reader can. If we follow a good beta reader’s advice, our finished product will be more polished which, of course, increases our chances of finding publishing success.

My One Big Rule for Beta Readers

Notice that I said good beta reader. Not all beta readers are the same.  From my earliest writing days, I’ve followed one rule: “If all a beta reader does is give me a pat on the back and say my work is good, I never let that person read another manuscript. If a beta reader gives little or no constructive input—again, I don’t let them read another manuscript.”

I’ve always been strict about this. Pats on the back without useful input does not help us writers improve. No matter how advanced we are in this craft, we always have room to get better.

Fortunately, as time has passed on, I’ve developed friendships with good beta readers. Unlike my early years, I no longer need to “test-drive” them or seek them out. Nowadays I rarely have to implement my rule. 

Photo by Ron Lach on Pexels.com

Five Traits of a Good Beta Reader

Honest Feedback. Good beta readers aren’t afraid to tell writers what they honestly think about their manuscripts. If they don’t like it, they’ll not only say they don’t, but they’ll also say why. They’ll word their opinion in such a way that it doesn’t kill a writer’s dream. Not only will they point out a manuscript’s weaknesses, they will also applaud its strengths. In other words, they offer a balanced opinion.

Encouragers. They share a writer’s literary dream and want him/her to succeed. They will encourage, motivate, and congratulate authors when they get published. For me, my greatest joy comes when I see someone, whose work I have read and critiqued, get published. I appreciate that person’s sacrifice and hard work to achieve their goal.

Knowledgeable. Most good beta readers are serious writers either knowledgeable about the craft or are in the process of learning it through hard study.

Readers. I’ve also benefited from serious readers, particularly those in my target audience.  A serious reader, by my definition, is someone who reads lots of books critically. They understand why they like certain books and why they don’t, and they can give solid reasons for their opinions. I once heard a librarian call into a radio talk show to comment on a certain bestselling book. A few days earlier, I’d scanned some pages of this same book at a store. The librarian and I shared the same opinion—bestseller or not, the author’s writing was amateurish. This librarian would make a great beta reader.

Understands Our Genre. Under the broad categories of non-fiction and fiction are different genres. Each genre has its own set of rules and characteristics. Beta readers who aren’t familiar with our chosen genre may unintentionally offer bad advice. My genres are historical fiction, short stories, and certain genres of magazine articles. If someone asked me to critique a science fiction manuscript, I’d be able to offer basic advice on writing style and technique, but that’s all I could do. I haven’t read much in that genre, thus I have little knowledge about the rules connected with it

    Three Beta Readers to Avoid

    Family. Family members are usually reluctant to give us honest input for fear of hurting our feelings or ruining a relationship. If we happen to have someone in our family who meets the five criteria I listed above, though, it is fine to use them. However, such family members are rare.

    Friends Who Aren’t Writers. More than likely, these friends won’t meet the above-listed criteria, either.

    Token Critiquers. Token critiquers read a manuscript, or maybe just scan it, and then make only a comment or two per page or per manuscript. Writers need in-depth critiques, not the token variety.

      A Final Word

      If we can find more than one good beta reader, then our finished manuscript will be that much better. If two or more beta readers make the same comment about our work, this is a sure sign that we’d better heed what they tell us and revise accordingly.

      Finally, always thank your beta readers. They made some sacrifices of their own time to help you, and a little gratitude goes a long way.

      Guilt-Free Writing

      WRITER ON BREAK. WILL BE BACK LATER.

      Called to be a Writer: How to Know For Sure

      Photo by Dziana Hasanbekava on Pexels.com

      “I’m going to be a writer one day.”

      “I’m going to write a book and get rich.”

      “Writing’s easy. I think I’ll become an author.”

      Oh, how many times have I heard people tell me such things! Throughout my long writing career, that’s for sure. Well, that’s great. But once I start explaining all the work that goes into it most, but not all of them, back away. At other times when people tell me they want to become a writer, I just nod and smile unless they ask for advice. Why? Because I’m waiting to see how serious they are, to see if God has truly called them.

      Let’s face it. Writing professionally isn’t for the fainthearted, nor is it for the lonely. Like any ministry, if a person isn’t called to write, I don’t recommend doing it. I wouldn’t recommend myself to be a choir director, either, because frogs sing better than I do.

      Do you feel called to be a writer? Here are three things to consider to help you know for sure:

      .Psalm 37: 4  “Delight thyself also in the LORD; and he shall give thee the desires of thine heart.” (KJV)

      This verse doesn’t mean we can desire anything and the Lord will give it. Rather, it means that if we delight in Him and put Him first in our lives, He’ll put His desires in our heart. So, if we follow this pattern, delighting in God first, and if He’s called us to be a writer, He’ll plant that literary dream within us. It will grow into a passion, and the passion will become so strong we’ll refuse to quit no matter what or who may try to hinder us.

      John 10:10   “The thief cometh not, but for to steal, and to kill, and to destroy: I   am come that they might have life, and that they might have it more   abundantly.” (KJV)

      Eric Liddell

      Our Lord and Savior has called us to an abundant life, one that overflows with joy and fulfillment. If we’re called, we’ll experience that joy while we write. Like Eric Liddell said in the movie Chariots of Fire: he felt God’s pleasure when he ran. If we’re called to write, we’ll also feel God’s pleasure.

      1 Samuel 17:35 “Thy servant slew both the lion and the bear: and this  uncircumcised Philistine shall be as one of them, seeing he hath defied the  armies of the living God.” (KJV)

      Before David accepted Goliath’s challenge, God had prepared him by teaching him how to fight lions and bears. Likewise, God prepares us for whatever He’s called us to do. Just as He enabled David to kill Goliath, so He’ll enable called writers to succeed. Not fame and fortune, necessarily. Few writers have this. But they will reach the skill level where they can sell their work. It may not happen overnight, and usually doesn’t, but through hard work and study (preparation), and a little bit of talent, God will bring on and bless the bylines.

      Has God called you to be a writer? If so, never quit pursuing your dream.

      Pantser/No Pantser Writing

      Photo by Skitterphoto on Pexels.com

      Are you a panster or a no pantser? Or, are you somewhere in- between like me?

      Pantsers, writers who don’t use outlines, write “by the seat of their pants.” Other writers, the no pantsers, use outlines. Each way of writing has its own advantages and disadvantages.

      ADVANTAGES OF A PANTSER

      1. Writing is livelier.
      2. Characters “take over” the story and move it in unexpected directions, which can          surprise the writer and delight readers.
      3. New character POVs can appear, along with new, and surprising plots.

      DISADVANTAGES OF A PANTSER

      1. The plot is liable to have holes in it, requiring lots of revision as the writer works out plot problems.
      2. Writing will often be too wordy. This means lots of cutting back on unnecessary adjectives, adverbs, and prepositional phrases.
      3. Some scenes may appear in the initial draft that may have to be deleted later. Also, some plot angles and unbelievable storylines may have to be cut–more work, more revision.

      ADVANTAGES OF A NO PANTSER

      1. The writer knows every detail of where his/her story is going.
      2. Plot problems have been worked out before the story is written. This saves time for the writer and helps him/her write faster.

      DISADVANTAGES OF A NO PANSTER

      1. Writers are locked into their outline, limiting other plot options.
      2. If the writer isn’t careful, outlined writing can sound stiff.

      THE IN-BETWEEN

      Photo by rawpixel.com on Pexels.com

      As I mentioned earlier, some writers are like me: in-between the two methods. What do I mean by this? How I wrote my Southern Sons-Dixie Daughters series will explain.

      As I sat at my laptop to begin my first book in the series, I knew how the series would begin and how it would end. However, I had no idea what would happen in the middle.

      Then, after I wrote my first few chapters, the story “got legs” and took off. New characters popped up along the way, new subplots and plot complications arose. It was great fun, releasing my characters to do whatever they wanted.

      One character, though, proved stubborn—a Creole fellow named Philippe. I tried hard to enlist him in the Confederate Navy. I even wrote his navy scenes. With every writing, though, Philippe kept screaming at me: “Army! Put me in the Army!” When I finally listened to him, his story took off like a cannon shot across a ship’s bow.

      The outlining came in when I wrote the novel’s chronology. I needed to be sure that my characters “did their thing” within the right historical time frame. Their stories revolved around the historical events they experienced. I didn’t tell them what to do, they told me what they wanted to do and how they wanted to respond to these events.

      So, are you a pantser, a no pantser, or somewhere in-between? I’d love to hear your thoughts on this subject. Feel free to share them in the comments.

      19th Century Equine Health Tips

      For a horse who suffered from fits, where he jerked his head and fell down but then got up again and seemed fine, the following remedy was offered in 1855:

      “Give the animal two ounces of the tincture of asafoetida every morning for ten days. Tie the gum on his bit and wear it for six or eight days. He will never have a fit after the first dose.”

      Photo by Tobi on Pexels.com

      For a horse who suffered a chronic cough, it was recommended that the animal’s owner take:

      “…powdered squills one ounce, ginger two ounces, cream of tartar one ounce, mix well, and give a spoonful every morning and evening in wet bran. This is good after hard riding or driving. It cures all coughs and colds, and will prevent the lungs from swelling.”

      Source

      The Horse. G.W. M’Coy’s catalogue of practical receipts, for curing the different diseases of the horse. Enered according to the Library of Congress, in the year of our Lord one thousand eight hundred and fifty-five by George W. McCoy…Indianapolis. Printed by Cameron & McNeely (1855). https://www.loc.gov/item/rbpe.019005ba/

      Writing the Personal Experience Article

      Enjoying my favorite fishing spot–Horn Island, off the Mississippi Gulf Coast in Mississippi Sound. I have lots of personal experiences from this place!

      One of the best ways to begin a professional writing career in the Christian industry is through personal experience articles. This is how I started. Such articles require little if any research and teach lessons the writer learned from his/her experience.

                  Here are four rules for writing them.

      1.         The experience must be true. We may not remember our experience’s every detail, but we must try to be as accurate as possible. If others accompanied us during our experience,  we can always ask them questions to refresh our memories. If we teach a negative lesson through our experience (what not to do), we must be the one who learned it. We writers must be secure enough to be vulnerable, which means having a willingness to expose our   shortcomings and mistakes to the world.

      2.         The article must have a strong opening. If we don’t hook our readers in the first sentence,  or at least the first paragraph, readers will probably set aside our work and go on to other  things.

      3.         The article must use fiction techniques. When we write a personal experience article we’re also telling a story. Like any other story, it must include action, conflict, dialogue, description… all the basic elements fiction requires. If we can’t recall exactly what a person said during our experience, at least write the essence of it. That’s all we can do.

      4.         The article must teach a lesson without being preachy. What is preachiness? It’s moralizing on and on, as though lecturing(or preaching) to our readers. Instead of  doing this, let the story itself teach the lesson. At the end of the article, use a short takeaway message and/or Bible verse to reinforce our main point. “Short” is the key word here.     

      Well, these are some thoughts on writing the personal experience article. Give it a try!

      Till next week, keep tapping those laptop keys!